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All styles of jazz from Dixieland to contemporary are still being performed and recorded today. All style dates given are approximations of when each respective style came to the forefront of jazz and experienced its most concentrated development; of course, styles and dates overlap. and other popular dances—the rhythmic feeling of swing music is more continuous and flowing. b) This effect is created by having the bass play on all four beats in a measure, rather than just the first and third beats, a technique referred to by jazz musicians as “walking” the bass. Swing is often a subjective quality to fans of different types of Jazz, but it is the feeling that gives forward momentum to a performance. The feeling of swing is created by a swung eighth note.

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All style dates given are approximations of when each respective style came to the forefront of jazz and experienced its most concentrated development; of course, styles and dates overlap. Characteristics of Jazz. What separates Jazz from the vast majority of classical pieces is rhythm and use of rhythm. A key distinguishing feature is a rhythmic device called ‘swing’.

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1. All styles of jazz from Dixieland to contemporary are still being performed and recorded today. All style dates given are approximations of when each respective style came to the forefront of jazz and experienced its most concentrated development; of course, styles and dates overlap. and other popular dances—the rhythmic feeling of swing music is more continuous and flowing.

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In jazz, the swing ratio typically lies somewhere between 1:1 and 3:1, and can vary considerably. Swing ratios in jazz tend to be wider at slower tempos and narrower at faster tempos. In jazz scores, swing is often assumed, but is sometimes explicitly indicated. For example, "Satin Doll", a swing era jazz standard, was notated in 4 ”Sweet” Swing (people like Glenn Miller) – had less improvisation, was a bit slower, restrained with a slight swing feel, and was for the white upper class dinner parties.

Cool Jazz arose in the 1950’s as a reaction to (Hot) Bebop.
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In jazz scores, swing is often assumed, but is sometimes explicitly indicated. For example, "Satin Doll", a swing era jazz standard, was notated in 4 ”Sweet” Swing (people like Glenn Miller) – had less improvisation, was a bit slower, restrained with a slight swing feel, and was for the white upper class dinner parties. “Hot” Swing (people like Duke Ellington) – was more daring, experimental, faster, with longer improvisations, stronger rhythmic drive, and a rough blues feeling.

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